Saturday, November 2, 2013

Blacksad: Red Soul

Red Soul is the third story in the Spanish/French award winning Blacksad comic series written by Juan Díaz Canales and art by Juanjo Guarnido. As I will be building off of my previous reviews, I suggest reading my reviews of Somewhere Within the Shadows and Arctic Nation first. If you haven't read Blacksad yet, do yourself a favor and buy the Dark Horse collection of the first volume containing the first three Blacksad stories.



Red Soul takes place not long after Arctic Nation. Arctic Nation ended with Blacksad keeping a promise by  scattering a man's ashes in Las Vegas. Now Blacksad finds himself low on cash with no work as a detective.  To make some money, he becomes a bodyguard for a rich old tortoise named Hewitt Mandeline, a New Yorker on vacation in Las Vegas. Las Vegas doesn't seem to be Blacksad's preferred city as he seems mostly annoyed with the place, especially the lookalike contest for an old flame who was murdered during Somewhere Within the Shadows. Blacksad and Mandeline aren't there for too long, as they go back to New York and Blacksad must accompany Mandeline to an art museum. There he runs into Commisioner Smirnov and they exchange a few friendly words. It's not until Blacksad finds a leaflet for lecture that the story really begins. A lecture on nuclear energy is going to be given by his old friend/professor from Columbia University, Otto Liebber.

It's at this lecture that the story truly begins. As the lecture is going on, people with anti-communism signs are clearly visible outside of the building through the windows. On stage is the outspoken dalmation, Samuel Gotfield, a wealthy communist in charge of a scientific research foundation. Blacksad describes his first impression beautifully with one word, "Asshole." After trying to charm his way past the lovely Alma Mayer, he greets his old friend Professor Liebber. After their short chat, Gotfield invites him to a party at his mansion before taking off with Liebber.

At this party are a group of leftist intellectuals that call themselves the twelve apostles. This is also a section that introduces us to some characters that have parallels in our own universe. There is the beat poet, Abraham Greenberg, who is reading Allen Ginsberg's "Howl" (Greenberg will be playing a major role in the upcoming Blacksad: Amarillo) and there is the artist Sergei Litvac, who is a parallel to the artist Mark Rothko. Also seen in this story are Joseph McCarthy, portrayed by a rooster called Senator Galloway, and Hitler portrayed as a cat. Previous Blacksad stories felt like they could easily take place in our universe but Red Soul takes it a step further by introducing more detail specific history into the mix.

At the end of the party, a completely wasted Gotfield is rescued from drowning himself in the ocean and everybody heads home after some tension between a few of the apostles arises. Otto Liebber gives the chemist, Laszlo Herzl  his hat to keep his head warm after rescuing Gotfield from the ocean. This is very unfortunate for Laszlo because a very terrifying crocodile hitman was sent to kill Liebber. Since Laszlo and Liebber are both owls and Laszlo was wearing Liebber's hat, a little mistake is made that leads to Laszlo's death. Knowing that Liebber's life is in danger, Blacksad takes it upon himself to help his old friend and find out who is trying to kill Liebber and why.

Red Soul does an amazing job at setting the feel for the topic and time period of the story. The Red Scare and the threat of nuclear war are a constant pressure in this story in the way that feels similar to what I imagine those who lived through those times had felt. In Las Vegas there is a terrifying image of the city life with a mushroom cloud nuclear explosion in the background of a distant darkened desert. During the story, Gotfield takes a major shift from his first impression and becomes mad with terror, digging away to create his own shelter for what he believes to be an inevitable nuclear war. It's a truly terrifying idea that the younger generations, myself included, take for granted.

As far as the story goes, it's one I felt unsure about at first. Arctic Nation told a very tight story with an almost complete resolution to the story. The lives of the characters went on and you weren't sure how they would carry on, but the part of the story that Blacksad was involved with had ended and he had to move on. As this series is told through his perspective it tells the reader that they too must move on. The lives of the characters in The Line would be play little part in Blacksad's future. Red Soul does the exact opposite. While the mystery itself gets solved, there area few characters who could still be very important in Blacksad's life who have unresolved endings in this story. Red Soul marks a major shift in the series. Stories will stand alone, strong as ever, but the characters stories continue on. While I can't confirm that we'll see a continuation of Blacksad's newfound love, we know that Greenberg will be heavily featured in Amarillo. I wasn't quite satisfied with Red Soul after I first read it. I felt like it was a little too bleak in its ending, it had a mystery that wasn't quite as enticing as Arcitic Nation, and the pacing was much slower than both of its predecessors.

Maybe I was starting to feel a little fatigue when I read it at one in the morning right after reading Somewhere Within the Shadows and Arctic Nation. after reading it for a second time, it felt much better. While my points in the last paragraph still hold true, I feel they actually worked to its advantage. It's meant to be a much slower burn than the previous stories and it is more depressing. It's very difficult to feel very happy at the conclusion of this story. While it still has a very distinct noir style, I didn't feel like the mystery was the most important aspect.

The major highlights of Red Soul are actually in the characters. This is the first time we really get a feel for John Blacksad. Somewhere Within the Shadows introduced him as a very typical but strong noir protagonist and this didn't change at all in Arctic Nation. Through Red Soul we get some insightful glances into Blacksad's character. We know that he attended Columbia University as a history major for year before getting expelled, most likely because of his infamous delinquency that professor Liebber always talks about. We also see how Liebber helped Blacksad in his growth as an adult, giving him a very understandable and realistic explanation for his occupation and ideals. We also see a more emotional side as he develops a relationship with the writer Alma Mayer. Although Blacksad spoke of Natalia through flashbacks in Somewhere Within the Shadows, I never felt like that part of him was explored beyond the typical noir protagonist. Without spoiling too much, I will say that his romance with Alma is very well written and gives us deeper insight into Blacksad as a human. Catman might be the correct term.

We also learn a lot about Blacksad's old professor, Otto Liebber. Again, I'll try not to spoil too much, but we do learn about his dark past. Despite his choices in life, we still see him as a fully realized character. His hopes and dreams along with the effect of his choices in the past are explored and this has given him many regrets. There is an absolutely wonderful scene where he silently walks through the slums, the homeless lying on the street and children committing small crimes, heading to an old broken down church where some homeless have sheltered themselves. He then falls to his knees and cries, without a single spoken word. It's an absolutely beautiful and tragic scene. A very intelligent man facing his past, wanting salvation from his past mistakes yet unsure whether or not he even deserves it.


Like every Blacksad story, there is always more that could be said. The attention to detail is breathtaking so there is always more to discuss. Instead of spending several more pages on Red Soul, I'll just give some final thoughts on the story as a whole. In comparison to Somewhere Within the Shadows and Arctic Nation, Red Soul is a much slower story. The best way to enjoy it is to take it slow. Stop and look at each frame and really let it sink in. I previously thought that none of Blacksad stories could be as good as Arctic Nation, but after closer inspection, I have come to love Red Soul just as much. It's just as good as Arctic Nation, but in its own way. Sometime in the future I might want to do a full review of the Blacksad series, full of spoilers. It would be several pages for each story because there is just so much to discuss. If you still haven't had a chance to read Blacksad, find a friend who has or buy the first collection from Dark Horse. It's well worth the price.

Final Purrdict: Purrrrrrfect!

Saturday, October 26, 2013

Oliver & Company


Oliver & Company is a very solid film. Nothing in it is exactly spectacular but none of it painful in any way. Disney basically took Oliver Twist and morphed it into a story with cats and dogs set in the 1980s. Of course they take their own liberties such as adding an extremely racist Mexian chihuahua played by Cheech Marin. While that may seem awful on paper, its execution is pretty good. In fact the execution of everything is okay. It's all really solid overall. Oliver is just the right amount of cute, the side characters have very solid entertainment value, the music is enjoyable and the central conflict is engaging enough to keep your interest.
 Oliver is the only cat with a name in the movie and is our protagonist. Just like the rest of the movie he does exactly what he needs to. He's cute, his actions influence the story, and he isn't voiced by an obnoxious child actor with a lisp. Caturday is all about cat media, but Oliver & Company is mostly dogs. The film follows Oliver as he is alone in the streets, adopted by a group of dogs with their homeless owner. He is then adopted by a little rich girl. After the dogs rescue him, he wants to go back to the girl. The homeless Jew, meanwhile, owes Mr. Sykes some money and concocts a plan to get the rich girl's money (who he thinks is a rich man) by trading Oliver for ransom money. When he finds out it is a little girl, he does not take her money and Mr. Sykes tries to kill him in a ridiculous chase scene where he follows them onto subway rails.
            There isn’t a lot to the plot and that’s because the movie is fairly short, only about 100 minutes. It actually works it its advantage though. The pacing is very strong, making sure there is never a dull moment. It also doesn’t overstay its welcome. The only love story is a comedic love story between Tito, the Mexican Chihuahua, and Georgette, the snotty poodle. The story and its surrounding jokes take up just a few minutes overall, and it’s all handled well so that it doesn’t bog down the movie. There are no long scenes which deliver unneeded exposition on the supporting cast. We don’t even know much about Mr. Sykes.
            Speaking of Mr. Sykes, why does a homeless man owe him money in the first place? Why would a mob boss give a homeless man money or anything else in the first place? My theory is that Mr. Sykes was not as powerful as the movie makes you believe. Mr. Sykes runs his operation on an isolated section at the docks. His only henchmen are two Dobermans. That seems like a pretty small operation. Really, Mr. Sykes is nothing more than a small business owner, who is in an unloving relationship with his wife and kids and decided to spice up his life by playing mob boss with a homeless man. He bought a couple of trained dogs, a cheap piece of land at the docks, found a homeless man, and let the games begin. He let it go out of control until it led to his death in a ridiculous chase scene.
            Of course none of that is true, but I like to believe it is. It explains some of the narrative gaps. While there are gaps, they aren’t plot holes. They could be easily explained with a couple of sentences yet the movie decides that those details aren’t important. It sets out to tell a solid self-contained story and does a very fine job with that. There’s nothing bad, nothing amazing, it’s just a very solid children’s film.


Final Purrdict: Pawsitive



Blacksad: Arctic Nation


            Arctic Nation is the second volume in the Spanish/French award winning Blacksad comic series, released three years after Somewhere Within the Shadows. It is written by Juan Díaz Canales with art by Juanjo Guarnido. This review will build off of my first Blacksad review, Somewhere Within the Shadows,  so I suggest you read it first.
Arctic Nation takes place in a fictional industrial suburban town known simply as The Line. From the name and the lack of clear location, it seems that this town is meant to capture many towns instead of Blacksad’s usual approach of using a specific city. Racism is the major theme in this story as Blacksad tries to solve the case of a missing Black girl in a town struggling with race issues. By taking a slight change in the direction of this volume, Canales and Guarnido remain true to the noir nature of the series while still making a very fresh experience. In my last review I called Somewhere Within the Shadows a very basic noir story done incredibly well. It would have been awfully boring for Blacksad to continue with the same classic storyline. One of the reasons I love Blacksad is because it always keeps the noir style, while changing the major themes in each story. The differences in each Blacksad volume elevate the series as a whole, providing for a memorable experience with each story.  Arctic Nation happens to be my personal favorite. Just like the previous volume, the art and writing are absolutely phenomenal.
In the suburban town, The Line, there are very apparent race issues. Since Blacksad takes place in the late 1950s in a universe with the same history, this would be just a few years before the civil rights movement. Race is a little confusing as the discrimination is still based on color. Since these are animals, it is based on their fur color. A white supremacy group, Arctic Nation, has influence in the city. That’s not to say that the black communities of The Line are perfect angels. A gang known as the Black Claws has been causing trouble in their own ways. These two groups are in direct opposition which is causing trouble in this suburban town. Not long after Blacksad arrives, he witnesses the aftermath of a hanging. A crowded street is staring at lifeless body of a black vulture. Wearing a trench coat with a bottle of alcohol in his pocket, it seems likely that he was homeless, an easy target for Arctic Nation to help send a message. That won’t scare off Blacksad, who shares the vultures color, except his white chin of course. He has a mystery to solve.
Blacksad has been hired by Miss Grey, an elementary school teacher portrayed by a deer. Again, it’s important to note how perfect the casting is for this series. Miss Grey as a deer provides the frailty and strength you would expect to find in an old teacher. It’s a combination that is hard to pull off, but a deer provides perfect imagery to convey these traits. Miss Grey wants Blacksad to look for a missing black girl named Kaylie. The town seems uninterested in searching for her, including her mother, who hasn’t reported it to the police. The rest you will have to find out for yourself by reading it. This is one story you do not want spoiled.
The most fascinating aspect of Arctic Nation is how well it handles racism. It’s not uncommon for media to portray racist characters as totally unlikable with flat characterization. Arctic Nation does a fantastic job of fleshing out the characters. Instead of one group acting as a single unit, the white supremacy is multifaceted. We very briefly see Mr. Oldsmill, a white tiger representing the upper class. While extremely influential to spread of racism within the town, he is ultimately detached and unaffected by the problems surrounding racism. There is also the polar bear, Mr. Karup, who is the police chief and a choir director for children at the church. A symbol of morality as the upstanding W.A.S.P., he struggles behind closed doors while having a mysterious past, once being married to a black woman. Then there is Huk, an arctic fox who is cunning and ruthless. He is almost entirely self-absorbed, mainly interested in furthering his own influence and power. These characters with their diverse goals, ideals, and backgrounds allow for greater exploration of racism. While most will agree that racism is bad, there is more to tell than just the message. Arctic Nation isn’t really interested in that message so it focuses on telling a compelling story. The most compelling stories have rich characters. Making a group that is instantly dislikable with most audiences today fully developed was essential in making this story work and it is done incredibly well.
One of the major problems with noir is that the final reveal is often underwhelming in comparison to the buildup. Either the ending is too obvious or it’s nowhere near as exciting or interesting as the buildup. Arctic Nation, on the hand, delivers an ending that is extremely satisfying. Almost every part of the story is important for the end. Clues are placed throughout, in places one wouldn’t expect. This makes this story fantastic to read again just to pick up on the little details you missed.

For those who have already read it, didn't notice this the first time!
It’s hard to find any piece of media, let alone cat fiction that is so flawless. I may be biased because of my love of this story, but I can’t find a single flaw. I have to really grasp at straws in order to do that. The mystery and reveal are amazing, the characters are fully fleshed out and compelling, the art is absolutely spectacular (flashbacks gain more color the closer they are to the present), and the voice in the writing bleeds noir style in every sentence. I can’t describe everything that is right with Arctic Nation because it would take several pages to fully explain how wonderful it is. If you liked Somewhere Within the Shadows even just a little, you have to read Arctic Nation. 


Final Purrdict: Purrfect!


Also, Blacksad gets a sidekick in this volume and future volumes. Weekly, a least weasel who is a journalist for a tabloid called What's News. He fun and adorable. Great sidekick with a lot of comedy. Not super important for the story, but he makes a great foil to Blacksad's more serious nature.

Don't you want to just give him hug? After he bathes of course.

Tuesday, October 22, 2013

Blacksad: Somewhere Within the Shadows Review


           Blacksad is a difficult comic to explain. Blacksad is a Spanish comic album written by Juan Díaz Canales, with some of the most beautiful art in a comic provided by Juanjo Guarnido.  The comics follow John Blacksad, a cat man detective, through a new story with each comic that focuses on different themes. Every character is portrayed by an anthropomorphized animal. While it is a Spanish comic, its main audience is the French market. It’s usually released in Spanish a month after the initial French release. I can’t understand Spanish or French so I get to read the English translations, the first story, Blacksad: Somewhere Within the Shadows, was published in America by iBooks about a decade ago but they went bankrupt a few years ago and now Dark Horse publishes the English translations. I don’t know how it compares to the original translation, but Blacksad is an absolutely fantastic read in English thanks to the fantastic language throughout.
            The use of anthropomorphism in this comic is extremely unique to any work I’ve read in the past.  It’s not uncommon to see animals used for the sole purpose of attracting children, essentially adding nothing to the narrative. This is not the case with Blacksad. While everyone is very aware that they are an animal, they seem more human than any animal story I've seen before. The same story could be told with humans, though there would be far less animal jokes. What really separates this from animal stories and human stories is the choice of animal for each character. It’s not hard to tell that a rat, especially one with dirty fur and a disheveled appearance, can’t be trusted or that a rhinoceros is tough as nails and will kick your ass. The character choices, along with the writing, give the reader the right amount of information to understand what’s going on without characters giving unneeded exposition. The choice to use animals actually enhances the storytelling. This makes it one of, if not the best use of animal anthropomorphism in fiction.
            The cover page makes it very clear what this first story is all about without saying a word. Blacksad stands in a trench coat, a cat woman on his left, a gun in his right hand with his finger on the trigger. The woman has a very old style of beauty straight out of classic Hollywood. Right away the reader knows that this is an homage to classic noir films, and it is not afraid to feel like Hollywood cinema. The voice of the writing seems like it came straight out of old Hollywood noir. The muted colors and use of shadows perfectly captures the feel and look of classics such as The Third Man.
            The story starts with the death of the woman on the cover. Blacksad and police commissioner Smirnov, a German shepherd (the perfect choice of animal for a police commissioner), are looking over her dead body lying almost completely nude in her bed, wearing nothing but a see through nightgown. The cause of death is a bullet right through the middle of her forehead. Blacksad previously had a fling with this woman, Natalia, and takes it upon himself to uncover the mystery against the advice of his friend Smirnov. As this story is a mystery, I will not spoil much else. Blacksad, like many other noir protagonists, must see how far he is willing to go to solve this case. If you've seen even a couple of noir films in the past, you’ll have a pretty good idea of what to expect in terms of plot for this story.
            What’s very surprising about this series is the adult nature. In most comics, since they are geared towards a younger audience, sex happens but it is never shown and nudity is a blanket covering the woman’s torso. Blacksad is not afraid to get dirty as nipples from Natalia’s dead body are one of the first things you see. This is very strange and somewhat off-putting since the characters are animals. While sex is present, it is never pornographic. It’s handled extremely well and I would call the sex “mature,” not “adult.” If the initial nudity bothers you, I strongly urge you to keep reading. It’s well worth it in the end.
            Somewhere Within the Shadows is only the first of four volumes currently released in the Blacksad series. Its story is not much more than a classic noir story but it is handled extremely well and has some of the best art I’ve ever seen in a comic. I highly recommend it to everyone who likes comics, cats, or noir. If there is something wrong with you and you don’t like any of those things, I still recommend it.



Final Purrdict: Very Pawsitive